THE SCULPTURES OF RICHARD HUNT IN SCHAUMBURG TOWNSHIP

On Saturday, December 16, 2023 the famous, prolific Chicago sculptor Richard Hunt passed away at his home. Mr. Hunt was born and raised in Chicago, eventually becoming a prestigious graduate of the School of the Art Institute of Chicago.

Mr. Hunt was the first African American sculptor to have a solo retrospective exhibit at the Metropolitan Museum of Modern Art (MoMa) in New York. He was also the first African American visual artist appointed by President Lyndon Johnson to serve on the governing board of the National Endowment for the Arts.

His works can be found in museums, libraries and college campuses worldwide, including the Art Institute of Chicago, the National Museum of African American History and Culture in Washington, D.C., and the Krannert Art Museum on the University of Illinois Urbana-Champaign campus to name a few. One of his final placements will be outside a planned Chicago Public Library branch at the Obama Presidential Center on the shores of Lake Michigan.

The Open Book sculpture designed by Richard Hunt at the Schaumburg Township District Library.

Locally, though, we are fortunate to have two commissioned Richard Hunt sculptures in Schaumburg Township–one of which is proudly on display at the Schaumburg Township District Library. The Open Book sculpture can be found on the second floor of the Central Library.

Mr. Hunt was commissioned in 2000 and, as part of the process, he came to the library to see the clerestory space of the second floor. After drawing inspiration, he spent over a year designing the statue that is 9-feet tall and 5-feet wide. He used welding torches and other tools to create the bronze statue in his studio. 

Hunt said he “derived his idea from the concept of a book open to information and imagination.” Hunt’s work is influenced by Cubism, Surrealism and Abstract Expressionism, which serve as the driving forces behind much of his art. He is known for his unique melding of western and non-western (particularly African) artistic traditions, and uses these combined styles to reflect American culture.

“Public sculpture responds to the dynamics of a community, or of those in it, who have a use for sculpture,”  Hunt says. “It is this aspect of use, of utility, that gives public sculpture its vital and lively place in the public mind.”

Richard Hunt talks to attendees at the 2002 reception at the Schaumburg Township District Library when his work was unveiled. The Open Book sculpture is behind him.

On January 14, 2002 the sculpture was officially unveiled at a reception with Richard Hunt in attendance. Notice how shiny the statue was when it was first put in place.

The Bridging and Branching sculpture designed by Richard Hunt at the Woodfield Lake office campus.

The other Richard Hunt sculpture in Schaumburg Township can be found on the east bank of the Woodfield Lake office campus that is on the north side of Woodfield Road, between Plum Grove and Meacham Roads. It can be reached by walking the trail around the lake or parking at Two Woodfield Lake.

Forty years ago in 1981, the Levy Organization, who developed Woodfield Lake, commissioned three Chicago artists to create major works for the campus’ new sculpture garden. They were Karl Wirsum, Jerry Peart and Richard Hunt.

According to a June 4, 1981 article in the Daily Herald, Hunt’s sculpture is called Bridging and Branching. It is 20 feet long and 10 feet high and is constructed of welded stainless steel. It is still in fine condition today.

The article states that he describes his piece as an “organic abstraction” in the Woodfield setting. He used “semi-reflective qualities of the colorless stainless steel to tone down the sculpture’s size.”

We are fortunate to have two unique Richard Hunt sculptures in Schaumburg Township. Stop in at the Schaumburg Township District Library or take a drive to Woodfield Lake to check out these sculptures. It’s interesting how much the sculptures aptly echo their titles. Magnificent work all around.

Jane Rozek
Local History Librarian
Schaumburg Township District Library
jrozek@stdl.org

THE ART, WIT AND PASSION OF ADOLPH LINK #28

Almost 75 years ago this card arrived in the mailboxes of Adolph Link’s family and friends. In a nod to their home in Schaumburg Township, he kindly drew a basic map, highlighting all of the major roads in the area that “linked” their house on Plum Grove Road to the larger group who received the card. Season’s Greetings coming their way!

All of the main roads on his card are still there today. Though it is interesting that he appeared to write in “Roselle Rd” as an afterthought. It is also curious that he labeled it as such south of Bloomingdale where, today, it is known as Bloomingdale Road. In fact, today, the name changes from Roselle to Bloomingdale Road, in the Meacham Grove Forest Preserve between the two towns. So, either this is a slight miscalculation or that name change had not yet happened in 1947. Curious.

The interior of the card also sent the Links’ “Merry Christmas” wishes of “Happiness and Prosperity” in the coming year of 1948. Did you catch “Merry Christmas” written in the snow? And the small sign that says “Route 1947?”

This is an “over hill, over dale” sort of drawing and a nice message with which to end this lovely series of cards by Adolph Link of Plum Grove Road. Hopefully, you felt as if you, too, received 28 cards from the gifted Mr. Link.

It is clear his family and his world meant a great deal to him and, that, once he found his roots in Schaumburg Township, he never left. And still hasn’t. See for yourself at Adolph Link Elementary School at 900 W. Glenn Trail in Elk Grove Village.

Jane Rozek
Local History Librarian
Schaumburg Township District Library
jrozek@stdl.org

THE ART, WIT AND PASSION OF ADOLPH LINK #27

Judging by the cover, this is a very simple card for Mr. Link. With a very elegant wreath on gray stock paper, it is also one of the three oldest cards in our collection.

It is not until we open the card that we see, once again, the skill of Mr. Link’s sketching and the wit of his nature. The gentleman he has drawn is happily imbibing some of the Happy New Year Blend of Christmas Spirit that was distilled by the Link family. Such an ingenious message.

What makes it more fitting for the time is that 1925-26 put the country deep into Prohibition. Liquor had not been available for sale since 1920 and after five years of the country being “dry”, Mr. Link was, obviously, gently making a play on the whole practice.

While the Links were more likely to drink lemonade, how could he not help distill some good Christmas spirit for his card recipients in the December 1925 holiday season?

Jane Rozek
Local History Librarian
Schaumburg Township District Library
jrozek@stdl.org

THE ART, WIT AND PASSION OF ADOLPH LINK #23

It is 1949 and Mr. Link is passing on his seasonal cheer on the front of his annual card. Even though we see the main thought of “Merry Christmas and a Happy New Year” he cleverly weaves in another message of making others happy.

The font distinctively leaps off the page and he backdrops the message with a couple of splashes of color. He topped the card with the Christmas star. And, if we turn the page, we note that he also included a delightfully drawn Christmas tree.

This message, too, is a suggestion, telling the readers of the card to “be good” and “do good.” But, we are led to the opposite side of the page where the note is a bit more grim. Father Time is holding an hourglass in his hand, looking over a man standing in a cemetery, telling us “It is later than you think.”

Something may have happened that year that led Mr. Link to write a somewhat dim message. His mother had died early in 1949 so that event may have weighed on his mind or there was possibly something in the news that struck him as dispiriting.

In any case, we are lucky enough to get another chance to view his artistic skills–both graphic design and sketching. Which is your favorite?

Jane Rozek
Local History Librarian
Schaumburg Township District Library
jrozek@stdl.org

THE ART, WIT AND PASSION OF ADOLPH LINK #22

With his strong pen and ink detail, Mr. Link created this wonderful card in 1958 by featuring the new Blackhawk School in Hoffman Estates. At this point it was still unnamed.

This was the fifth school for Schaumburg Community Consolidated School District 54 and, like Schaumburg School that Paul Schweikher designed, the unique architectural style must have caught Mr. Link’s eye.

This school, at the corner of Schaumburg Road and Illinois Boulevard, was designed by Fridstein & Fitch for F & S Construction. They were the developers who were building all of the Parcels in the yet-to-be-incorporated village of Hoffman Estates.

When Mr. Link drew the card, it is interesting to note, that the school was not yet named but the village was. The name of the village was based on the Hoffman name connected to F & S Construction. The F & S stood for “Father & Son” but the company was owned by Jack Hoffman. We can see the use of the name “Hoffman Estates” going back as far as 1955 in the Daily Herald.

The line “NEAR….ROSELLE, ILL” also lends credence to the supposition that Hoffman Estates might be new and different to the recipients of his card–and might also make the connection to the Link home for them. We have to imagine that most of the recipients of his card knew of his home address of Roselle.

In opening the card, we see that Mr. Link, again, took the opportunity to devise some rhyming couplets for the card. It is here that we note it is the 1958-59 holiday season. Plus, the more formal signature of “The Links” is printed as part of the card, yet his name and Estelle’s appears handwritten in seasonal green ink. This is new!

Jane Rozek
Local History Librarian
Schaumburg Township District Library
jrozek@stdl.org

You can read more about Blackhawk School here.

THE ART, WIT AND PASSION OF ADOLPH LINK #21

This is one of the more unique Christmas cards in the collection, because it is the only Christmas letter. Mr. Link graced it with a mailbox at the top, letting you know that this bit of yuletide cheer was your annual Christmas card.

The greeting itself is a couplet that Adolph Link set to music for the 1966-67 holiday season. And, of course, there is a guitar below, all wrapped up with a red bow and decorated with holly.

I asked his family if Mr. Link played the guitar or wrote music. His granddaughter, Kathy, said, “He was not an accomplished guitar player. He played the violin a little in his younger days. Grampa took a 20 hour beginning guitar class at Conant through Dist. 211’s continuing education program. He was issued a certificate of completion November 22, 1965… I think he continued to play a bit for his own enjoyment. Grampa was born in 1885. I’m guessing he was probably the oldest student in class!”

He definitely must have played around with his guitar in 1966 after his class, because it led him to write this bit of music. If any of you have an instrument at your disposal, please let us know about the composition of this little tune.

Jane Rozek
Local History Librarian
Schaumburg Township District Library
jrozek@stdl.org

THE ART AND PASSION OF ADOLPH LINK #20

This card is completely different than any other card in our collection. It was drawn for the 1959 holiday season and is not a happy card. The card alludes to Mr. Link’s alarm at the first deaths of U.S. soldiers in South Vietnam, the prospect of another war and the fact that money might be made from the war.

According to his grandchildren, Mr. Link’s war feelings ran deep because he lost a much-loved brother in World War I and he never fully recovered from his death.

Adolph was born in 1885, the second oldest of 13 children. His next siblings were Philip who was born two years later in 1887, and Charles who was born in 1889. All three men were required to register for the draft in World War I but only Philip served.

Adolph married his wife, Estelle, in 1914 while Charles married his wife, Carrie, in 1913. The Selective Service Act of 1917 offered a number of deferments for married men if they had wives and children who depended on them for their income. Because Philip was unmarried, as his draft registration card shows, he became eligible for the draft or could elect to volunteer.

According to his World War I burial card, Philip served as part of Company M of the 47th Infantry Regiment in the 4th Division of the U.S. Army. The Wikipedia article on the regiment says that they organized at Camp Syracuse on what is now the New York State Fairgrounds. The regiment arrived in Brest, France in May 1918 and trained until July when they began maneuvers.

Private Philip Link. Photo credit to the Link family

The regiment was involved in the 2nd Battle of the Marne and on September 26 joined the Allied forces in commencing the Meuse-Argonne offensive. Somewhere between the first day of the battle and September 30, Philip was killed in action. His burial card states that the actual date is unknown which is, most likely, due to the chaotic circumstances.

He was temporarily buried in Grave No. 18, Plot 1 of a cemetery in Dannevoux, Meuse. His body was later disinterred on June 3, 2019 and reburied in the Argonne American Cemetery in Romagne-sous-Montfaucon, Meuse. A cross was erected as a grave marker and his identification tags were buried with him.

Philip’s family, though, was not content to have him so far away. They put in a request to have his body brought back to the United States and, according to a second WWI burial card, his body arrived on home soil in Hoboken, NJ on August 20, 1921 aboard the USS Wheaton, an Army Transport Funeral Ship.

He was then sent to the care of his father, Theodore, in Pearl City, Illinois. He is buried there in Highland Cemetery with his father, his younger brother, Theodore, who died in 1911 and another younger brother, Robert, who died in 1934.

Photo credit to Old Country Roots on findagrave.com

Adolph tried to make the most of the holiday season by wishing everyone a Merry Christmas and Happy New Year but the “Anway” on the inside of the card belies his concern about the upsetting circumstances he saw at the time.

Forty years after World War I, Adolph had not left the death of his brother behind him. Philip was still very much present in his life and in his memories.

Jane Rozek
Local History Librarian
Schaumburg Township District Library
jrozek@stdl.org

THE ART, WIT AND PASSION OF ADOLPH LINK #19

This is the last of the seasonal postcards we have in our collection–and it might be the last that he sent–judging by the rhyme on this card. We know that the .03 postcard became the .04 postcard at the beginning of 1963 so, how nice that the contents of the rhyme actually date the card for us at 1962.

Once again, Mr. Link did a drawing for the card, completed the graphics and, this time signed the card with Estelle and Adolph Link also printed on the card. The fonts change throughout the card but that was conveyed loud and clear!

And, here is the back of the card with its .03 stamp. Since there were probably so many in stock, did the Post Office “revalue” these cards too when the .04 postcard came out in January? We have to suppose they did as there was not a reason to waste good currency that had already been paid for.

Jane Rozek
Local History Librarian
Schaumburg Township District Library
jrozek@stdl.org

THE ART, WIT AND PASSION OF ADOLPH LINK #18

This particular postcard presented a puzzle as there was a colored version and a black and white version. And, both of them were copyrighted in 1952 by A. Link.

Once again, Mr. Link’s clever rhyming scheme was printed on a postcard or, as he refers to it as, “just an ordinary business card.” According to his granddaughter, Kathy, he hand drew his cards and then gave them to the printer to be printed.

In this instance, he drew the candlestick holder and the words and then the card was printed. Kathy said, “I’m sure he only had them done in black and white. Where he could, he personalized individual cards, on mailboxes or letters within the scenes. But I’m sure he added the colors to individual cards, too. I know I have a few duplicate cards, where the added color embellishments and color washes are not the same, card to card. Similar, of course, but not the same.”

She also said, “I think Grampa “doctored up” each of those [black and white] cards. I think he enjoyed adding his personal touch where he could. I also think he was a man who was careful with his money. I imagine color printing would have been way more expensive than black and white.”

We have to suspect that, possibly, the fancier version went to family and friends and the basic version went to business acquaintances.

Mr. Link was 67 at the time and, most likely, retired but he still did the odd graphics jobs here and there to bring in household funds. So, both versions of the card would have been necessary in his eyes.

And, the fact that the cost of a postcard had gone up to .02 on January 1 of 1952 probably hadn’t been lost on him either. In fact, we can tell that he still had a stock of the remaining .01 postcards or the Post Office did too, because they were restamped, as you can tell, to accommodate the rise in the price of postage.

Jane Rozek
Local History Librarian
Schaumburg Township District Library
jrozek@stdl.org

THE ART, WIT AND WISDOM OF ADOLPH LINK #17

If we had reason to doubt the agile mind of Adolph Link, this card would lay that doubt to rest. For this year’s card, he wrote his own rhyme based on the fact that it was all done on the front side of a 1-cent postcard. And “cents” and “sense” are definitely the themes of this card.

The postcard depicts the perfunctory seasonal candleholder and bits of holly, but it is his own handwriting that we rarely see that is a highlight of the card. He printed the words but also added some flourishes here and there. They can be found at the beginning of each stanza of the poem, with the words “Merry Christmas” and “Happy New Year” and, of course, again when he signed it with “The Links.” And, maybe, just maybe, in one of those flourishes, he even added a golfing element regarding his last name?

Take a look at the “I” in “If” at the top of the card. Doesn’t that look like a golf cup with a flag in it? We can’t put it past him.

This is the reverse of the postcard. Note that it cost .01 to mail. Amazingly, that was, largely, the price of postcards from 1898 to 1952–except during World War I. Because the Links were married in 1914, it is difficult to know how far back he might have designed this card since the modern Christmas card movement began in 1915, according to Smithsonian Magazine. Most likely the Links sent this card during the Depression, given the subject of the card.

Still and all, that clever rhyme has us hooked. One has to wonder how long it took him to pencil that out and how many drafts there were. Given his ingenuity, probably not many!

Jane Rozek
Local History Librarian
Schaumburg Township District Library
jrozek@stdl.org